
Detail of Monet's Rouen Cathedral Façade "Morning Effect", Lit Two Different Ways, Boston MFA, 2015

Monet's Rouen Cathedral Façade "Morning Effect", Seen from an Extreme Angle, Boston MFA, 2015

Four Galleries, Barnes Foundation, 2014

Composite Picture of Still Life Painting, Philadelphia Museum of Art, 2014

Frames From Three Museums, 2014

Sculpture and Painting, 2014

Painting, Pennsylvania Academy of the Fine Arts, 2014

Two Paintings Forming A Building, Barnes Foundation, 2014

Three Hands, Pennsylvania Academy of the Fine Arts, 2014

Three Galleries, Philadelphia Museum of Art, 2014

Painting and Sculpture, Pennsylvania Academy of Fine Arts, 2014

Museum Steps, Philadelphia Museum of Art, 2014

Mirror in Gallery, Barnes Foundation, 2014

Shadow of Headress, Yale University Art Gallery, 2009

Giacometti, Yale University Art Gallery, 2009

Frishmuth-Corot, Yale University Art Gallery, 2009

Frame and Shadow of Pavlova and Novskoff in La Peri Hoffman, Yale University Gallery, 2009

Frame and Shadow of Gaius Caesar, Yale University Gallery, 2009

Frame-Ceremonial Procession, Yale University Art Gallery, 2009

Galdiano Museum #6, Madrid, 2009

Sculpture and Painting, Galdiano Museum, Madrid, Spain, 2009

Galdiano Museum #2, Madrid, 2009

Two Paintings, Galdiano Museum, 2009

Frame-Spear Thrower, Yale University Art Gallery, 2009

Mozier-Bierstadt, Yale University Art Gallery, 2008

Nadelman-Hopper, Yale University Art Gallery, 2008

Rinehart-Inness, Yale University Art Gallery, 2008

Ground Swell By Hopper, Museum of Fine Arts Boston, 2007

Sunday By Hopper, Museum of Fine Arts Boston, 2007

The MET, Romeo and Juliet Set, 2005

The MET Carmen #1, 2005

The MET, Stairs, 2005

The MET, Pipes and Ladder, 2005

The MET, The Magic Flute, 2005

The MET, Upside Down Angel, 2005

The MET, Manon Facades, 2005

The MET, Stagehands #2, 2005

The MET, Horse Figure, 2005

The MET, Hanging Dress, 2005

Miniature Opera, 2005

The MET, Figaro Dress #2, 2005

The MET, Figaro Dress #1, 2005

The MET, Figaro Dress #3, 2005

The MET, Curtains, 2005

The MET, Falstaff Barrel, 2005

Europa Dimly Lit, Gardner Museum, 1998

Isabella in the Little Salon, Gardner Museum, 1998

Tim and Rembrandt, Gardner Museum, 1998

King Philip IV by Velasquez, Gardner Museum, 1998

Joan and Sir William Butts, M.D., Garner Museum, 1998

Isabella with Tapestry, Gardner Museum, 1998

Mother and Son, Gardner Museum, 1998

Inghirami, Gardner Museum, 1998

Two Paintings Sharing an Arch, Gardner Museum, 1998

Two Buildings, Gardner Museum, 1998

David and the Earl of Arundel, Gardner Museum, 1998

Relief, Gardner Museum, 1998

Multiple Exposures of Self-Portrait Dedicated to Paul Gauguin by Vincent Van Gogh, Painting in the Collection of the Harvard Art Museums, 2022
Museums and Theatre
A number of years ago, I was an artist-in-residence at the Isabella Gardner Museum in Boston. There, I was free to walk, meditate and slowly choose what interested me about the space to photograph. The experience was exciting, as the challenge of transforming existing objects of art into something else intrigued me since earlier work I did with books where I played with photographing art reproductions on the printed page. One of the pleasures of working in museums the way I do lies in how I can become a sort of ad hoc curator. I get to organize installations of art to suggest a sisterhood among pieces that is based on my own visual hunger. I like to play in museums.
These experiments often lead me to take more and more liberties in my choreography of art objects to fashion unexpected conversations. For example, the sandwiching of a Hopper and a Nadelman at the Yale Art Gallery “feels” like an unknown De Chirico or Magritte. Other strategies involve photographing invented dioramas consisting of old picture frames, three-dimensional objects and paintings. I think of these pieces, often, as theatrical stages on which plots can thicken visually.